Notes on Antique Textiles, Folk Art & Timeless Traditions – Jaina Mishra
Kalamkari – literally meaning ‘pen craft’ [ Kalam = pen in Urdu] involving painting and printing on cloth with natural dyes.
Styles of Kalamkari Art
The art is an ancient one. A piece of resist dyed cloth was found at Harappa and a piece from Akbar’s time has also been recorded. The Mughals patronised this craft and it flourished int he Golconda region of Southern India. Therefore Islamic motifs and Persian influences are seen in one group of Kalamkari paintings. The center was these is Masulipatnam.
In the neighbouring region governed by Hindu rulers, the craft enjoyed the patronage of temples and so, mythological figures and religious scenes from the Puaranas, the Mahabharat and Ramayan became the subject of these paintings. The center for these is Srikalahasti.
Kalamkari is an art form practiced not only in Southern India but also in Gujarat. The Mata-ni-Pachedi, written about earlier is also Kalamakari.
The difference visually is that in the art of Gujarat the motifs are small and a square metre of cloth will be covered with a large number of scenes and figures.
Kalamkari Craft Process:
A cotton cloth is first prepared as a base for the artwork.
Sounds easy & simple!
This art is practiced as decorative work now, with patronage only from individuals as the organisational sponsors no longer exist.
The artists – as is the case with almost all the textile arts of India belong to the relatively poorer sections of society. It is therefore not hard to see why migrations occur away from their traditional-ancestral careers.
Let us hope the art thrives & survives into the next century!